song: Seven Hundred Pound Weight b/w Justice and Honour
label: Integrity 12 inch single
This, I want to tell you, is a piece of vinyl that I loved.
Deep affection.
It has everything that I love.. Heavy solid music. Lyrics that talk to me. Limited pressing. Obscure label. 12 inch extended play. Wicked dub. Good lord what more do you want?
I picked it up one night in the used reggae bin at Rhino Records in Westwood sometime in the mid 80's. At the time I had no idea who Ras Elroy or Black Slate were but Rhino had a listening booth and I listented to it and grabbed it. Aka, I lucked out.
Folks, will we ever find used records like this again? Sigh.
Black Slate was (is) a British reggae band. They never made it as big as say Aswad or Steel Pulse but they did put out some heavy duty reggae. Seven Hundred Pound Weight heavy.
When I came to the Philippines I gave this record to a friend. I couldn't sell it.
My woman loves it and she smokes it
my woman loves it and she needs it
my woman smokes it cuz it takes her higher
but we just can afford it.
Mister Government, Mister Government
you've taken away from the poor man
who smoke this herb for meditation
to reach to the higher one.
So seven hundred pound
a weight a murder
seven hundred pounds
a weight of sensimilla
seven hundred pounds
a weight of sensimilla.
While we're on the subject.. Marijuana.
As I have said before I am now living in the Philippines. The other night I was at a Filipino party. Filipinos love to party. They get together in the villages and sing Karaoke and pass around shots of whiskey and party until the wee hours. It's beautiful. And as I was saying the other night I was at such a party when low and behold a joint got fired up. Ganja. Reefer. Sweet Sensimilla....
It came passing by and DAMN IT I had to say no.
It killed me.
Do you know what they do to foreigners who get caught with narcotics in Asia. Don't ask.
My friends all said "Ah come on.." but folks, in the Philippines they list Marijuana, the lambs bread, Jah's gift to the world, right along side heroin and cocaine and if I got caught with any drugs.. as a foreigner.. well forget it. No more grooVemonzter that's for sure.
So I said no.... and the joint passed on. Sigh.
For the time being this wonderful music can be found here: Sensimilla
01 - Come to me............................... (Volt V-7603)
02 - Don't leave me this way................. (Volt V-7602)
03 - Glory of love.............................. (Volt VLT-12625 SP)
04 - I'm coming home.......................... (Volt VLT-12626 SP)
05 - Sweet Lorene.............................. (Volt VLT-13685-MO)
06 - Ole man trouble........................... (Volt VLT-9178)
07 - Respect..................................... (Volt VLT-9108)
08 - That's what my heart needs............. (Volt V-1100)
09 - That's how strong my love is............. (Volt V-124 VLT-8443)
10 - Mary's little lamb.......................... (Volt V-1089)
11 - Sittin' on the dock of the bay............ (Volt 45-157)
12 - I've got dreams to remember............ (Atco 68-C-14485-PL)
One time in the mid 1970s a friend of mine and I were walking down Sunset Boulevard in Hollywood late one Saturday night. Suddenly, as we passed by one of the night clubs, a drunk stumbled out of the club's front door and slammed right into my friend. After a few moments of confusion my friend and the drunk recovered their footing and stood there looking at each other. The drunk was Jack Nicolson.
"Do you know what time it is?" Jack asked my friend.
My friend looked at his watch and told Jack Nicolson the time.
"Thanks." Jack said and turned and walked away.
My friend and I stood there looking at each other like did that really just happen.
Sunset Boulavard.
Another time a different friend and I were in a liquor store on Sunset buying some beer and causually talking about Bob Dylan.
Suddenly we heard a voice from behind us say, "Ah, he's just a phony."
We turned around to look at the speaker.
It was Jimmy Durante.
"Bob Dylan is a big phony!" Jimmy Durante said and waved his hand down like he was fully fed up with the guy. Then he turned and walked out the door.
My friend and I looked at each other like did that really just happen?
Later that night the two of us were polishing off a few beers and laughing about how much having Jimmy Durante pop out of nowhere and give his opinion in our conversation was just like a Bob Dylan song. And it was.
Jimmy Durante
Anyway, I've always loved Sunset Boulevard.
Sometime in the mid-1990's I was hanging out on Sunset Boulevard when I ran across a little used record store. In the 1990's CD's were coming into fashion and everyone was selling their vinyl. There were little used record shops popping up all over Los Angeles. I remember it was late in the evening when I stepped into that new record store. Always a joy. It was a small shop filled with used LP's and a ton of singles. Much to my pleasure I found out that they were having a clearance sale. Everything was being discounted.
A couple hours later I walked out of the place with a big box full of 45 singles. Those were the days my friends.
Among those singles was a pile of old Otis Redding Volt singles. Let me tell you, those Otis Redding singles were to become records that I truly loved. Some of them were pretty scratched up but some of them played beautifully. That's how it is with used singles. I can't tell you how many times I sat up at night playing them. Really lovely music. I like the old red and black Volt labels too.
I'm surprised the demons from up in the cloud let me keep it posted.
I had the original pressing of this record in my record collection once upon a time. When I sold the bulk of my records back in Miami back in the early 2000's it was one of the records I sold. I got a very nice bid on it which was nice. But...
For the most part when I sold my records I was relieved to get rid of them. Try moving some day with 7000 LPs. It's a pain. So I felt no small sense of relief when I sold them off. But...
One day a friend of mine asked me if I regretted selling any of them and I had to confess the only record that I actually regretted selling was my original copy of Scientist in Dub Volume 1.
"Regrets, I've had a few..." Frank Sinatra
Yes, I regretted selling it. For years I mourned its loss. And then one day I was wandering around Amoeba records in Hollywood and I found the repressing. A brand new reissue copy of the record sealed in plastic. My pupils dilated. I picked it up and held it in my hands. It was like holding the ghost of a long lost friend. I held it and looked at it and bought it without hesitation.
It had the same cover as the original.
It had the same music as the original.
It was as near a copy of the original as the manufacturers could make but...
I was raised in Los Angeles, California and went to high school in the San Fernando Valley during the late 1960's. Basically I was your typical proto-hippie
valley dude. The band Blue Cheer pretty much summed up the crew I hung
out with. Their recording of "Summertime Blues" was a monster hit in the San Fernando
valley. How many joints got rolled on the back of their first album "Vincebus Eruptum" is
anyone's guess.
Blue Cheer
Somehow I graduated from high school and even more surprisingly somehow I went to college.
During my college years I
pretended to learn how to play the bass guitar. Hey, turn the amp up loud
enough and smoke a lot of weed and your good to go.
Throughout the 1970's I played a
string of engagements in assorted garages.
I did manage to wind up in a
couple of bands that actually played gigs in various dingy Hollywood dives.
The beer was cheap and the flies were free and what the heck, I cherish the memories.
Sometime around 1979 I was
playing in a band called "The Symptoms." (I've still got our old
demo tape in one of the boxes. Maybe I'll burn a CD of it and really embarrass
myself).
By that time I was in my late twenties and certainly the old man of the
group. I think the next oldest was the keyboard player who was maybe twenty-one and
kind of my friend but at twenty-seven I was old enough to make our association
tenuous at best and when we went to clubs he pretended he didn't know me.
Our lead singer was a cool
raven haired Mexican girl named Jaime who actually could sing. She was
nineteen, I remember Jaime quite clearly.
We, the Symptoms, went
through about five drummers. One day Jaime told us she had met a new drummer
through the Recycler. He was going to drop by that evening.
That evening the drummer showed up. We
were all there in Jaime's parent's garage setting up and Jaime introduced the new drummer to us.
"This is Paul."
Jaime said.
I looked over at the guy. Paul was the picture of your long-haired drummer type. He gave us the nod as he tightened the screws on his
drum kit.
Jaime was eager to sell this new drummer to us.
"Hey," she said to
Paul, the new drummer, "Didn't you say you were in a band in the sixties that had a hit? What was the song called?"
We were all busy setting up
and only half listening but Paul said off hand. "Summertime Blues."
None of my younger band mates
paid much attention to that but for me... time stood still and everything became quiet.
"What band were you in?" I asked.
"Blue Cheer" he said.
Paul Whaley, Blue Cheer's drummer.
I looked at him and, my friends, I about
dropped a brick.
He looked back at me and grinned because he saw my expression. No
one else in that garage new but the two of us, we knew. Paul Whaley, monster drummer grinned at me and for
that one moment it was 1967 again.
An amazing moment that I will
never forget.
Yes, Blogspot Massive, Paul
Whaley played with my band "The Symptoms"... for a while. And for a brief period
in Los Angeles musical history, Paul Whaley and Yours Truly were Drum and Bass.
Maybe a month or so. Then he moved on.
I think playing garages and
dive Hollywood joints was bit of a let down after Blue Cheer but still....
Winston Rodney, aka Burning Spear, came from a rural Jamaica parish called Saint Anns Bay. The same Saint Anns Bay that gave us Marcus Garvey by the way. A connection that would play heavily into Burning Spear's music. Burning Spear began his recording career at Studio One Studios. According to Burning Spear himself he was introduced to Clement "Coxsone" Dodd, the owner of Studio One, by Bob Marley. Burning Spear had already acquired a local following and his recording sessions were eagerly awaited by the whole Studio One posse. Burning Spear's first single, "Door Peeper", begins with him speaking, "I and I, the son of the most high, Jah Rasta Fari, whose heart shall correspond and beat in one harmony, sounds from the Burning Spear" and then the drums kick in and the band starts playing and I listened, transfixed to the stereo speakers, some 45 years ago and man-o-man what a moment.
Burning Spear released two albums on the Studio One label. The self-titled "Burning Spear" and then the album "Rocking Time." Those first two albums... I can't tell you how many times I played them. I always dreamed that there would be a third Burning Spear Studio One album, but that third album never came. Coxsone did release a few singles not included on the albums, "Zion Higher", "New Civilization" and "This Population" all of which I found after much searching. Also, Coxsone released a bunch of singles form the albums and I bought as many as I could find just to hear the version sides. But that third album, that third Burning Spear Studio One album, never happened.
When it came time for me to move to the Philippines, I recorded all my Burning Spear singles and at some point, as the ganja smoke gently rose up over my computer screen a wonderful idea came to me....
album: Burning Spear Studio One Showcase label: Little Red
tracks: 01 This Population ( The Burning Spear) 02 This Population version (The New Establishment) 03 Get Ready
(Burning Spear) 04 Get Ready Dub (Winston & The Brentford Rockers) 05 Wala Wala (single version credited to Owen Right) 06 Creation Rebel (Burning Spear) 07 Creation (Version) (Winston & The Brentford Rockers) 08 Door Peeper (Single Version) 09 Ethiopians live it out (Burning Spear) 10 Live it out (Burning Spear with Sound Dimension) 11 Rocking Time
(Burning Spear (Coxsone single version)) 12 Zion Higher (Burning Spear) 13 Zion (Ver.) (Sound Dimension) 14 The Avenue Pt2 (Hubert Lee
with Sound Dimension)
Burning Spear at Studio One
Afterword: You may have noticed that the single "New Civilization" was not included on this Showcase album. I did in fact find that record after much searching but folks, the copy I got in the mail was totally trashed. Filled with pops and skips and I decided to leave it off the album just out of respect. I suppose I could have lifted the file from a YouTube video but, I didn't. Maybe that tune will have to wait for the fourth Burning Spear Studio One album. Or maybe I'll redo it... we'll see. In the meantime here it is.
No sooner had I posted that last album, Orlando Owoh - E get as E be, than some gentle soul commented that Moos over at Global Groove had already posted the same album. I went over to check out Moos's post and low and behold not only had I downloaded it already but I had even commented on the post.
Egg on MY face hahaha.
OK, so you're wondering why I didn't realize I already had that album.
Well, I could point out that since this is a new computer I don't have the necessisary app to extract the files which is true. I still haven't opened Moos's copy of that album.
That excuse would be true. But there is an even deeper reason.
I forgot.
But all that is in the past.
Here's another album from that lovely "downloaded albums" folder. Again, thank you to whoever created these files. Images are from discogs.
And always thank you to Dr. Chief Orlando Owoh for giving us all your gift of music may you RIP.
artist: Dr Chief Orlando Owoh & his African Kenneries
album: E Get as E Be
label: Owoh Records
year: 1989
As I have previously explained I have moved to the Philippines. And before I go on let me say, this place is a trip. The Philippines are a trip. The Philippines and the Filipino people are beautiful. If you have a chance to visit the Philippines, do come. You will not be disappointed.
But, back to music.
Before I moved to the Philippines I bought a new computer. I had all my music files backed up on Carbonite so when I arrived in the Philippines I was able to download all my stored music files.
However, the download was slow. I mean VERY slow. Dear readers, it took two (2) months to download all my files. No joke. Finally though Carbonite told me that 100% of my files had been downloaded and I have spent the last few weeks going through my music folders. Some fun.
So, check this out. As I was looking through my files I found a folder labeled "downloaded albums." This sounds interesting I thought. I opened the folder and I found about 40 full length albums that I had downloaded from YouTube over the years. And folks, amongst those albums I found this Orlando Owoh album that I had never posted.
"E Get as E Be"....
Well, it looks like I get a new Orlando Owoh album.
Sweet.
Orlando Owoh - E Get as E Be
Credits. I have no idea who made these files but I'm posting them because... Hear me out.
In an interview taken from the movie "Life History of Orlando Owoh (part 2) Orlando Owoh said this;
Interviewer (speaking to Orlando Owoh) :Some other musicians do sing your songs.Do they come for any copyright from you?
Orlando Owoh:That’s what NIGERIANS eat from.
Interviewer:And you are not angry at that?
Orlando Owoh:(thinks a long time then says)We met songs in the world.That’s why we can sing.And when we die some other people will continue singing.I am just happy that I am fortunate.I’ve got good destiny.That I can find this cloth and buy it.And I still find it on this man.Then it’s a good and fine cloth.And may the Lord make any other persons using my songs proper with it.
Thank you Dr Chief Orlando Owoh for your gift of music. We are all blessed.
HrH Shakeera Ghoniem said: Dr Orlando Owoh your memory will remain you are great just too great KENNERY BABA
Ajayi Abayomi said: Baba Kennerie I miss you, rest in peace baba
Tunji Akande said: This is the man with velveting voice and deep philosophy. He ruled his time with his unique songs and rhythm. A leading singer, songwriter and musician of my generation.
KING DAVID said: You will forever be remember with all your evergreen records. Many of us never listen to your music until we grew up and see how this resonates in our 21st century. You have gone but your work lives on. RIP
PS I got the images for the cover and for the label from discogs.
PPS Until further notice this music can be found HERE
PPPS Or you could get an even better Rip from Global Grove HERE
Larry Marshall was a transformative figure in reggae music. He began recording music in the early '60s for various producers but he had his greatest success with Clement Dodd at Studio One singing as a solo artist and as part of the duo Larry and Alvin. His music was huge in the Jamaican dancehalls of the late '60s and early '70s. "Mean Girl", "Throw Me Corn", "Keep On Pushing" and "Nanny Goat" were dancehall mainstays. Perhaps more importantly though, Larry Marshall worked as a Studio One engineer and he was one of the guys coaching the musicians, throwing out melodies and bass lines for the artist to jam on. He didn't play an instrument. He would hear the riddims in his head and sing them to the musicians like "Bassy mon play this!" Many foundation reggae bass lines arose in Larry Marshalls mind. Lord only knows how many songs have been sung to the "Throw Me Corn" riddim. His song Nanny Goat is regarded by many as the record that initiated the transition from rocksteady to reggae. It is claimed in fact that Larry Marshall is the person who came up with the term "reggae." "Reggae" he said, is how his mother used to say the word "regular." Reggae music.. Regular music.. Could be... But as with all things reggae who knows.
Wikipedia says that in 1974 Clement Dodd offered Larry Marshall the head engineer job at Studio One but that Marshall declined the offer and left Studio One to begin releasing music as a solo artist. He released the singles "I Admire You" and "Can't You Understand" on Carl Pitterson's Black and White label both of which had dub versions by King Tubby (included here). Later Marshall split with Pitterson and set up his own "Amanda" label. In 1975 Larry Marshall completed his self-produced album "I Admire You" and released a limited number of copies in Jamaica and the United Kingdom on the Java label. During the period of 1974 to 1985 Discogs lists 36 singles released by Larry Marshall.
I myself became aware of Larry Marshall when I bought the CD of "I Admire You."
If you don't own this CD you pretty much have to get it.
I picked up my copy of the I Admire You CD as a blind buy in a little music shop in Pasadena sometime in the mid 1990's. I had no idea at the time who Larry Marshall was. I wasn't too impressed by the cover, but it was on the Heartbeat label and it was an inexpensive used CD, so I decided to give it a try. One of those blind music buys that turned into an obsession. I started buying everything by Larry Marshall that I could get my hands on. I bought a ton of his singles from eBay and from record lists. Some of the records were from Jamaican used record dealers and they came to my door in pretty shitty condition quite frankly, but I didn't care. It was always a nice day when I got a Larry Marshall single in the mail.
Larry Marshall died in 2017 at the age of 75 of complications of Alzheimers. He had received very little financial compensation for his music and it's a damn shame. In later years he had left Jamaica and had moved to Miami where he worked as a day laborer on construction sites to support himself. He had given the world beautiful music and the world had moved on. He continued to record occasionally but certainly his music never brought him fortune. Maybe one could argue that it was his own fault that he had never capitalized on his music. History is filled with great artist who were inept when it came to the business end. And the music industry is filled with crooks and users, so Larry Marshall is not a unique story. Life is not fair, for sure. But still, it's a damn shame.
When I knew I was coming to the Philippines I got rid of all of my singles. Some I sold and others I gave to friends. Everything in the Philippines rots with fungus and as much as I loved my singles I didn't want to see them ruined by tropical mold. So, they're all gone.
"We'll sing in the sunshine,
We'll laugh every day,
We'll sing in the sunshine,
Then I'll be on my way."
- Gale Garnett
Before I left however, I did manage to record a lot of my records. I put together this showcase album from some my Larry Marshall 45's. There's a few snaps and crackles on some of the songs but it's all beautiful music. I'm posting the files for this album because I want people to hear the music. If anyone has a problem with me posting these files and they have a legitimate claim, I will take them down but to be honest if you are so concerned about the royalties this music can bring, you probably should have thought about that when Larry was alive.
Until otherwise noted the files for this album can be found HERE.
OK, the evil money men have spoken. The file has been taken down. I hope you were one of the lucky people who downloaded this great alum while it was up.
Jacob "Killer" Miller was taken from us way too soon.
From what I've read one day Jacob Miller was hanging out with the Wailers band. Accounts say he went on a pizza run and died in a car crash. On Hope Road. March 23, 1980. At age 27. A tragic loss. The local newspaper wrote: "He took the world by storm and would be missed for his playfulness, gaiety and laughter."
RIP Jacob Miller
artist: Jacob Miller
album: Greatest Hits!
label: Top Ranking International
side one
1 Standing firm
2 Tenement yard
3 Tired fe lick weed in a bush
4 Forward Jah Jah children
5 All night till day light
side two
1 Forward Ever
2 Roman soldiers of babylon
3 80,000 careless Ethiopians
4 I see the light
5 Peace on the earth again
Many people first become aware of Jacob Miller through his appearance in the movie "Rockers." His performance of Tenement Yard is one of the great moments in Reggae cinema. So let's watch it.
Jacob Miller was a likeable guy and charismatic performer. He gained his nick name Jacob "Killer" Miller because he "Killed" all his competitors at concerts.
Jacob Miller got started early. He hung out at Studio One studios as a youth and recorded three singles at the age of 13. The song "Love is a Message" became a minor Jamaican hit.
Nine years later in 1974 the then 22 year old Miller met Augustus Pablo. Pablo was recording music on his own "Rockers" label at that time, and he suggested to Miller that they remake the song Love is a Message in a Rockers style. The resulting "Keep on Knocking" is a reggae classic and IMHO great music.
Here is the Greensleeves 12 inch. A nice piece of vinyl to have if you can get your hands on it.
This Greatest Hits album I'm posting is a good selection of Jacob Miller's late 70's reggae singles. It was put out on the Top Ranking International label in 1979 a year before Millers passing. I've always had good luck with the Top Rankin International label by the way. Always good solid roots music. Top Rankin was the label that introduced Israel Vibration for example.
I go through intense internal debates as to whether or not to post music files. Blogspot massive what do you think? Should I or shouldn't I?
Update: I see that Mediafire has place a red check mark on this file that gives me the cryptic message "This file has been restricted due to copyright claims." I always live in fear that the entire grooVemonzter set up is going to be taken down so I have to take this file down. I hope you got here quick enough to be one of the 27 people who got the files. If not let that be a lesson.
Let's talk. My motto has always been "in love and in music do not hesitate." Sometimes it is dangerous to even hesitate. What love we may find today may not be here tomorrow. And what is posted today likewise may not be posted tomorrow.
*U2*
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Well, it's been a while!
While, I'd rather not go into detail of the happenings of my personal life
that coincided with the 4-month gap between episodes of...
Friday at @aulounge is about to be 🔥🔥🔥🔥giving away free copies of my
new Sound of Africa vol9 mix to the first 20 people, plus we’ll be joined
by spe...
Sorry for the disappeared photos. Photobucket recently restricted "3rd
party hosting". I'm openly admitting to being too lazy to move all of my
pictures to...
I recently bought a small bronze sculpture of a guy riding the back of a
crocodile, mostly an impulse purchase. The vendor gave me a small wooden
hippopo...
Here at the Attic I have featured many King LPs, mostly of the country
variety. Presented here is an example of the other side of the King
catalog. Saxo...
Voici un nouveau mix fait de quelques disques trouvés à Montréal pendant la
dernière année. Ceux-ci datent principalement de la fin des années 1960
et ...
Here's one that recently sold on eBay, some heavy roots. Don't know much
about the label, any info would be appreciated!
Plenty of records in the sto...
(Hasbunalau records HRCL36).
This LP from Nigeria is realized by The Natural 7 International but the
label credits The Sea Birds International. Anyway, Ed...
Sorry keeping some of you on tenterhooks wondering whether Boot Sale Sounds
is still a going concern. I was hoping to get back into uploading some gems
fr...
Eba Aka Jerome et Le Samwi Stars/ LE RETOUR DE
editions EBONE RECORDS ER 0009
Eba Aka Jerome et Le Samwi Stars /BE FA BE HOU BE editios WEA 52 194
Eba...
Alojzij Žakelj
* Alone but not lonely spirit of the mountains*
I admire man of silence, patience and humbleness. Wonderful and rare to
meet a man who is de...
Hopefully all the links have now finally been refreshed and replaced with
working ones at a new service. If you still find missing or malfunctioning
on...
All good things must come to an end and this blog is no exception.I want to
thank every single artist/band/label who gracefully shared their music on
DCRYM...
barrie konicov is one of my favorite self help tape gurus. he sounds like a
fat mush mouthed slob from the south, but he looks like an affable fella in
h...
En 1977, Sagbohan enregistre ce 45 tours en Côte d'Ivoire accompagné par
l'orchestre Black Santiago et édité sur le fameux label Badmos. Ce label a
été c...
*On Darkness:*
The child is born in the darkness of the womb; the chicken hatched after
incubation. Birth begins in darkness, as dawn follows the long nig...
big greetings!
i cannot believe it has been over 2 years since last time i posted
- life has been busy
--- i will try to get back into ripping some of my hu...
Hello, blog fam... I've had some trouble with my Blogger account so I
haven't been able to make any new entries for a while, but if you're
connected to me ...
Leftside Wobble comes correct! Grab it now!!!Filed under: pop, remix,
Rock, Songs Everyone Should Own Tagged: free download, leftside wobble,
Music, talki...
Guitarrista Carlos Santana lança um álbum e dois DVDs, mostrando riffs
surpreendentes
Santana foi aclamado com o disco *Supernatural *e recebeu nove prêmio...
Jean Luc Ponty- violin
Daryl Steurmer- guitar
Mark Wolf- keyboards
Tom Fowler- bass
Norm Fearrington- drums
Paris, France
November 1975 (exact date unkno...
This is going to be the last medley-themed post for a while. It's a double
helping of deejay goodness over backing tracks featuring Ken Boothe and the
Ca...
01.: Motion
02.: Bollo man
03.: Chiney baby
04.: Ska and fall back
05.: Jack-ass
06.: Jamaica
07.: Shame and scandal
08.: The dove
09.: Seven Bells
10.: Ethi...
Everytime I See You
It Was Love
Go Find Yourself A Fool
Angel Face Woman - Gold
Come Over
Them Say
Ghetto Living
Never Run Away
Judgement Day - Gold
...
Canciones:
01 - By the Way
02 - Universally Speaking
03 - This Is The Place
04 - Dosed
05 - Don't Forget Me
06 - The Zephyr Song
07 - Can't Stop
08 - I Coul...
"SS: When you would spend time together in New York, what were some of the
things Eric enjoyed doing other than playing?
RD: Cooking swordfish steak. It ...
*WE HAVE MOVED FROM GOOGLE*
*WE ARE NOW HOSTED UNDER THE*
*"BOOTLEGTUNZWORLD.ORG"*
*FLAGSHIP*
*this Archive Area moved:*
*[ HERE ]*
*http://bootlegtunzw...
*Record date :* 1975
*Playlist :*
Black Rights
Cinderella
Micron Way
Hell & Sorrow
Own Yah!
Mother Liza
Black I Am
She Is Mine
Wicked Have To Feel It
Back...
Playlist :
You're My Lady
Mister Dj
Your Love
Stranger In Love
Oh Rastaman
You Need Sympathy
Don't Try To Break
Money
Album style : dancehall, solo vocal
...
Greetings!
One of the most popular posts I've made is "Slow Coach" by Garth Dennis.
This 45 is one of my all time favorites and I'm happy that I still have ...